On the stage of a spacious auditorium at the nation?s premier university for the deaf, a worker nails Styrofoam snow to the eaves of a mock-up of a 19th-century London streetscape, as actors in exaggerated masks ? one playing crusty Ebeneezer Scrooge, another kindly Bob Cratchit ? practice a scene in the dank offices of the Christmas holiday?s most celebrated miser.
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