Anyone feeling a little trampled by the thundering herds of virtuosi around town these days would have done well to head down to the National Gallery of Art on Sunday night, where pianist Roger Wright put on a program of impressionistic works that was remarkable for its extraordinary freshness, subtlety and originality of thought. It?s hard to over-praise the relatively unknown Wright; his technique is powerful and honed to a razor-like edge, but even more impressive is the rare spontaneity and vitality in his playing ? and the sense of a voraciously hungry mind.
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